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M. Ed in TESL
61.902 Syntax, Semantics, and Pragmatics back to homepage Dr. Marguerite Mahler: mmahler@frc.mass.edu |
Course
Description
An introduction to the ways in which words are organized to form sentences
and how words and syntactic structure combine to yield meaning. The combining
of sentences into conversations to express a range of attitudes and relationships
is also covered. English is compared and contrasted with other languages.
Course
Objectives
Upon
completion of this course, students will be able to:
(1) comprehend and explain traditional and current linguistic syntactic descriptions;
(2) understandand explain the structure of English clauses and sentences;
(3) identify, label, and describe errors made by English Language Learners;
(4) follow basic argumentation of theories of meaning;
(5) identify underlying principles of discourse;
(6) evaluate the role of context in the understanding of meaning.
Class
Material
1.
Brinton, J. Laurel (2000). The Structure of Modern English: a Linguistic
Introduction. John Benjamins Publishing Company. ISBN 1-55619-662-8. (This
is the book that you used for the course on Phonetics and Morphology.)
2. Brinton, J. Laurel (2000). CD-ROM Workbook. (This is the CD-ROM that comes
with the Brinton book.)
3. Mahler, Marguerite (2004). Syntax Handbook. Based on Laurel
J. Brinton, the Handbook includes syntactic descriptions, illustrations,
practice exercises and homework questions. It has been especially prepared
for this course. To download, go to Course Outline and click on Handbook links.
Linguistics descriptions, much like mathematics, are difficult to figure out
on one's own. I recommend you use pre-course time to work on the three pre-course
assignments rather than the Handbook. These are listed below.
4. Tserdanelis, Georgios and Wai Yi Peggy Wong (eds.) 2004. Language Files,
9th ed. Department of Linguistics: The Ohio State University. (Chapters relevant
to Semantics and Pragmatics have been selected and will be sent to you.)
http://www.ling.ohio-state.edu/publications/LF9-answers/
Pre-course
Reading Assignments
The
purpose of the pre-course assignments is to get you up to speed with "traditional"
grammatical terminology and concepts. A good grasp of traditional grammar
will make the comprehension of "linguistic" descriptions easier.
1. Grammatically
Speaking
(See site coordinator)
March-April-May 2002
http://www.tesol.org/pubs/articles/2002/tm12-2-04.html
June-July-August 2002
http://www.tesol.org/pubs/articles/2002/tm12-3-16.html
September-October-November 2002 Click here
December 2002 January-February 2003 http://www.tesol.org/pubs/articles/2003/tm13-1-13.html
March - April - May 2003 Click here
June-July-August 2003 http://www.tesol.org/pubs/articles/2002/tm12-3-16.html
September-October-November 2003
http://www.tesol.org/pubs/articles/2003/tm13-4-12.html
December 2003 http://www.tesol.org/pubs/magz/et/compleat/v01/01-05.html
March 2004
http://www.tesol.org/pubs/magz/et/compleat/v01/02-06.html
Assignment:
a) Read the grammar questions addressed to Richard Firsten on the websites.
b) Study the questions and the answers to the questions, andc) note any area
or concepts you do not understand.
2. Helping Students Make
Appropriate English Verb Tense-Aspect Choices by Diane
Larsen-Freeman, Tom Kuehn, and Mark Haccius. TESOL JOURNAL Vol. 11 NO4 (Winter
2002)
Click here
Assignment
a) Read the article Helping Students Make Appropriate English Verb Tense
-Aspect Choices by Diane Larsen-Freeman, et al. b) be able to xplain
the use of Tense and Aspect in the following sentence: Had they not been
in such a hurry to leave, they would have called us like they always do.
3.
Read Definitions of Grammatical Terms and note
down concepts you found difficult to understand. Click
here.
4. Language Files, 9th ed. Department of Linguistics: The
Ohio State University. (Chapters relevant to Semantics and Pragmatics have
been selected and will be sent to you). Class presenations TBA.
http://www.ling.ohio-state.edu/publications/LF9-answers/
| CONTENT |
I.
Syntactic
Phrases:
Day 1, 2, 3 Handbook:
0. Table of Contents
I.
Introduction (pages 1-8) Handouts:
II.
Clauses: Day 4, 5, 6 Handbook:
IV Adverbials (pages 41-51)
III.
Complex Sentences:
Day 7-8 Handbook:
VI Finite Clauses (pages
69-86) Handouts:
IV.
Semantics and Pragmatics: Day
9-10 |
| GRADE DISTRIBUTION |
Test
1: 25% (syntax) |
TESOL
Matters
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Hi,
Richard,
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Hey, Roger, Of course it's weird, but then again, every language has its oddities. There's something very elegant, however, about how languages deal with situations like this one. We're comfortable with inverting the subject + be and either adding or deleting the negative to make one kind of tag question (e.g., you are, aren't you? / she is, isn't she?), but although English accepts the affirmative tag question (I'm not--am I?), it has never accepted the negative tag question (I am--amn't I?). We just don't accept a negative contraction with am. Well, just as nature abhors a vacuum, language hates this kind of gap, so something is forced to take its place. Arbitrarily the speakers of English decided at some point that aren't would fit the bill, so even though it doesn't seem logical, that's the negative contracted form we use for this kind of tag question. Now what about the uncontracted tag question, . . . am I not? That's perfectly okay, except for the fact that it tends to sound sarcastic or downright nasty, and is therefore avoided unless this extra meaning is what's intended. And that, Roger, is how we end up with ... aren't I? |
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Dear
Mr. Firsten,
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Dear
Ms. Haven, |
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Dear
Richard, |
Dear
Jedd, I'm here to help you out! When the verb keep means "continue," its object is always an action that doesn't require a noun or pronoun before it. In this case, the object of keep is used in the -ing form (I keep eating ... ). There's also the option of using on together with keep, which would always force the use of a verb + -ing after the preposition (l keep on eating ... ). Some other verbs that work like keep are avoid, consider, can't help, delay, deny, enjoy, and finish. This should stop you from scratching your head, Jedd. |
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Dear
Richard, |
Dear
Chunfang, One of the most marvelous attributes of language is its ability to generate new words to meet the demands of an ever-changing world. Isn't it amazing that not too many years ago, no one would have understood what you're talking about? Although mail is a singular, noncount noun, English speakers have decided to make email (or is it E-mail or e-mail?) a countable noun in the singular or plural, probably because constantly writing or saying e-mail message or e-mail letter is very cumbersome. So, thank you for this email, Chunfang, and I hope to get other emails from you! |
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Dear
Richard, |
Dear
Vladimir, Here's what I think you're communicating in the first sentence you asked about: There have been fewer and fewer customers in the shop since it opened. Because you're using since, you need the present perfect; that's why there have been is required. If your idea is that the number of customers has been going down since this shop opened its doors, you should use the phrase fewer and fewer to communicate this idea for countable nouns and less and less for noncount nouns (e.g., less and less business). By the way, we normally say a shop or store opens and closes, not starts and ends. In the second sentence you asked about, it should be There are a lot of questions that I cannot answer. The phrase a lot of equals many in this case, so we need to use are for the plural. And please remember that you need to use of with the phrase (a lot of) if you follow the phrase with a noun. |
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Richard, |
Hi,
Bill. In your sentence, Harold is painting the white house green, green is called an adjective complement (of the direct object). Other examples are: She bought the fish fresh. / He takes his coffee black. / They found the movie boring. There are two kinds of complements, adjective complements and noun complements. (She called me a liar. / They elected her president. He thinks me a fool.) In my book, The ELT Grammar Book: A Teacher-Friendly Reference Guide, I devote a whole chapter to what I call "direct object companions," which include these two direct object complement forms plus five other parts of speech that fit into this pattern. I hope that answers your question, Bill. Thanks for sending it in! |
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And
now, here's a very thorough reply to the previous Brain Teaser: |
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And
here's the next Brain Teaser: |
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Hello
Richard, |
Dear
Julie, Interesting question. The problem you're having is that fun is not an adjective; it's a noun, so the rule on comparative or superlative adjectives doesn't apply at all. That's why it's okay to say more fun or the most fun because we use more and the most with nouns. You simply can't say funner or the funnest. Instead of saying "that was the funnest party I've ever been to," you should say "that party was the most fun I've ever had," or some such utterance. You might want to use adjectives such as enjoyable, amusing, or entertaining to describe the party if you really want to use an adjective. That's the answer to your question, Julie. Thanks very much for sending it in. |
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Dear
Richard, |
Dear
Frank, I've had many a student make the same kind of mistake, and I'm sure most TM readers have, too. The problem lies in the difference between the two kinds of verbal adjectives (adjectives derived from verbs): the present participle, or -ing, adjective and the past participle, or -ed, adjective. The present participle adjective is used to describe the person or thing that creates the feeling in the subject or describes what the subject is doing. Some examples are an annoying habit, an entertaining show, a puzzling explanation, a bleaching agent. The past participle adjective is used to describe the person or thing receiving the feeling or the action. Some examples are his jangled nerves, all interested parties, her puzzled look, those bleached clothes. So the reason your student should have said, "I am bored" is that he was receiving the feeling, not creating it; the boring job did that! That should do it, Frank. Has my explanation been enlightening? Are you feeling enlightened? (A little humor there!) Thanks very much for sending in this question, Frank. |
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And here's the answer to the Brain Teaser from
our last issue. It was sent in by M. K. Bunting, of Elkridge Elementary
School in Elkridge, Maryland. The question was: How would you explain the difference between these two questions, that is, if there is one? Isn't Mr. Spock a character on Star Trek? Isn't Mr. Spock a character in Star Trek? M. K. wrote, "Of course there is a difference. Mr. Spock was younger when he was on the TV show Star Trek, and he was older when he was in the movie Star Trek. It's all idiomatic. One can be on a TV show, but not on a movie, and one can be in a movie, but not in a TV show. One had to be there, I suppose." Very nicely done, M. K! I couldn't have explained it better! |
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And
here's the next Brain Teaser:
Is it okay to say I love fresh baked bread and You can rest easy now? If it is, please explain. If it isn't please explain. I'll be looking for your answers! If you know the answer, please send it to me by e-mail at grammspeaking@ aol com. or by postal mail by April 14. If your answer arrives first and is correct, it will appear along with your name in TESOL Matters! Thanks, everybody, for the wonderful questions you sent. Please keep sending any and all questions you have about grammar. I'd, love to hear from you! top of the page |
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| Grammatical Rules and the English Tense-Aspect System |
| One
of the difficult grammatical areas for ESL/EFL students to master is the
English verb tense-aspect system. Paradoxically, this area is not usually
perceived as being especially difficult to teach. The reason for this
is that many grammatical rules exist that capture the structural facts
concerning the various tense-aspect combinations and the semantic facts
related to what meanings these combinations convey. For instance, in terms of describing the structures involved in the system, it is well known that English has two tense forms, present and past. It is equally well known that English speakers make use of a wide variety of other structures to indicate futurity (e.g., modals, phrasal modals, simple present, present progressive), but that the modal will is usually assigned to fill the role of the simple future. To these, the aspectual markers of perfect and progressive are added, giving us 12 verb tense-aspect combinations (Table 1). Table adapted from Celce-Murcia & Larsen-Freeman, 1999, p. 110.) |
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When it comes to semantics, it gets more complex. Although it would be beyond the scope of this article to deal comprehensively with the meanings of these 12 forms, for the purpose of illustration, the following is a synthesis of the meanings to which the simple present tense has been applied (based on Celce-Murcia & LarsenFreeman, 1999):
With
this list, we can begin to understand why ESL/ EFL students struggle
to learn verb tense-aspect in English. It is not really a simple present,
is it? Furthermore, the semantics of the verb often constrain the form
that is used. For instance, it is well known that students overextend
the present progressive and use it where the simple present would be
preferred (e.g., *I am knowing that).' To counter this, teachers
are well advised when introducing a new tense-aspect combination to
contrast it with one that is already known.
Moreover, whereas the English system may seem straightforward enough, the exact mapping of form and meaning varies considerably from language to language. For example, although many languages use one future tense, a student learning English has to distinguish among several different structures, each conveying a nuance of meaning encompassed in the more comprehensive future tense of other languages. Learners of English, therefore, must not only learn the markings of the tense but must also suspend their customary way of marking temporality and adopt a new approach. Naturally, this leads to frequent misuse, not to mention a lot of bewilderment among teachers who wonder why their students "Just don't get it." |
|
Verb Tense-Aspect As a System |
| Helping
students adopt a new approach to learning verb tense forms can be facilitated
by having them understand that verb tense-aspect combinations in English
function as a system. Although the system is complex, a key to understanding
it is to see it as a whole. Of course, for practical reasons, each tense
is likely to be introduced singly. However, teachers can show students
how each works as part of a system by showing how each contrasts with
its neighbors, the ones with which it is easily confused. Thus, for example,
when they introduce the present progressive, teachers should contrast
it with the simple present because knowing the present progressive is
not simply a matter of knowing its form and meaning. Importantly, knowing
a verb tense-aspect entails knowing when to use it. LarsenFreeman (in
press) refers to the verb tense-aspect system as one of the grammatical
equivalents of the vowel sound system. This is because, just as it is
very difficult to say exactly where /I/ changes to /iy/ in the vowel system
space, so a long-term challenge when it comes to learning the English
verb tense-aspect combinations is knowing where one leaves off and another
starts in the verb tense-aspect system space. Indeed, it is very important to recognize that students greatest learning challenge ties in knowing the difference between the present perfect and the simple past, or the past perfect and the simple past, or, as we have seen, the simple present and the present progressive (quite apart from the semantics of the verb itself, which compounds the learning and teaching challenge; Celce-Murcia & Larsen-Freeman, 1999). It is clearly insufficient to work on the form and meaning of each tense-aspect combination independent of other related tense-aspect forms. |
| Tense-Aspect Operating at the Level of Text |
|
However, there is
a second implication to appreciating that English verb tense-aspect
combinations function as a system. As we have seen, the challenge of
learning the English tense-aspect system is learning to make appropriate
use choices. Therefore, not only is it important for students to understand
what sets one tense-aspect form apart from the others, it is equally
important for students to understand why certain forms cluster together.
Here the point must be made that, in order to truly understand this
and to understand how the system functions as a system, a sentence-level
treatment of the form-meaning combinations is insufficient. The system
operates as a system most visibly at the level of text.
Although this statement represents a reasonable attempt to capture an important generalization about one member of the English tense-aspect system, as with all such grammatical explanations, exceptions abound. Here is one such exception that appeared in a magazine automobile advertisement a few years ago for a minivan with the name Town & Country.
Here we see the conflict between the rule, as given, with the use in this text of the word recent in a sentence using simple past tense, undermining the confidence of ESL/EFL students in the rule about the present perfect that they have been given. However, we can take the same sentence and put it back into the text from which it came and see that the use of the simple past makes perfectly good sense.
The use of the present
perfect in the first sentence introduces the result, which has current
relevance. The simple past in the second sentence is used to relate
the events that led up to the result. The simple present in the third
sentence concludes the text, commenting in an evaluative way on the
result that has been reported. |
| On the Uses of Tenses to Show Sequences of Events |
|
There is further inference that can be drawn from the above example: A simple linear time line often fails at the level of text. This is because the tenses do not relate simplistically to the linear passage of time. There is no simple one-to-one relationship between tenses and time. If there were, the choice that Beth faces in responding to Alan's invitation in the following example would correspond to different time periods, which, at least in U.S. English, they need not.
Of course, there
is a temporal dimension to the uses of tense in language. We humans
not only report our present experience; we also have the ability to
anticipate or to recall an event that has already taken place. However,
we also use tense-aspect combinations to show sequences of events within
a given period of time. Indeed, for William Bull, a linguist who did
research on Spanish, what is less important about verb forms is signaling
the time an event occurs. It is more important to convey whether an
event occurs before, after, or at the same time as another one. When
people speak about an event, they place themselves in relation to the
event they axe actually or imaginatively observing. They can do so by
adopting a present axis of orientation, a past axis of orientation when
recalling an event, or a future axis of orientation if they are anticipating
an event. Each of these axes represents a different time segment. However,
importantly, where time lines leave off, Bull demonstrates how, within
each of these segments, the tense-aspect forms can signal anteriority,
simultaneity, or posteriority to a reference point on an axis of orientation. |
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If we were to use the tense-aspect combinations of each axis in simple texts, it is easy to see how the tense-aspect combinations cluster within an axis of orientation, as the following examples illustrate.
It is significant to note that speakers and writers of English tend to adopt an axis of orientation and remain within it unless prompted to shift to another axis. When they do so, they often, though not always, license this with some grammatical marker, such as a temporal adverbial, indicated in italics in the following sentence.
The following excerpt from a newspaper article discussing the rebirth of Chattanooga, Tennessee, shows how this works in authentic discourse. The first paragraph opens with the present tense followed by a modal perfect, a sequence that allows the author to make the contrast with how the city is now compared to how it had been in 1982. The first sentence of the second paragraph uses the past perfect to signal a past axis of orientation, which is maintained throughout the middle paragraphs. The final paragraph uses the present axis once again, with its initial sentence in the present perfect along with the adverb now acting as a discourse bridge between axes. The article concludes by reprising the contrast using the adverbs once with the past perfect and today with the simple present.
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| Working With ESL/EFL Students on Tense-Aspect Use in Text |
|
Thus, the Bull framework helps us to see one way the tense-aspect system operates to enhance the cohesion of texts. To help raise the grammatical consciousness of ESL/ EFL students around this matter, Kuehn (1998) shows how choppy a paragraph sounds when writers shift from one axis (indicated by underlined verbs) to another without signaling their intention to do so.
Although the ideas
expressed in this paragraph graph are totally comprehensible, the writing
style is not felicitous.It is not difficult to see how ESL/EFL students
would construct such a paragraph by following the sentence-level rules
they have been given. In fact, each sentence conforms perfectly to sentence-level
grammatical descriptions. The first sentence is the statement of a present
state, the second is a statement about a future event, the third states
a fact about a completed process, and so on.
Kuehn
refers to the first paragraph as an example of discourse hopping,
in which there are changing reference points. The revised version represents
discourse freezing, in which meaning is not sacrificed, but the
discourse cohesion is enhanced by the consistent use of present axis
forms. |
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| The
longest center rope represents the present axis, the upper left rope represents
the past axis, and the lower right rope represents the future axis. Ask
seven students to serve as volunteers. Give each student a copy of the
first paragraph illustrating discourse hopping. Ask the volunteers each
to choose a different underlined verb and go to the section of one of
the ropes that corresponds to the tense-aspect combination of their verbs. Next, ask the volunteers to read their sentences aloud in the order in which they appear in the paragraph. Instruct the other students in the class to listen and watch. After performing this activity with the ropes, students can see and hear how choppy the text sounds. This exercise gives them a visual display of the choppiness, which makes a more vivid impression on them than if they were simply to critique the lack of cohesion of the use of the tenseaspect combinations. Next, invite the same students or seven other volunteers to take the revised version of the same paragraph, the one that has been rewritten to maintain the time axis (discourse freezing), and ask them to follow the same procedure. This time, observers will see that all the volunteers are gathered along the rope, signifying the present tense axis (Figure 2). |
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| Volunteers
with sentences in the perfect tense-aspect could be asked to show a connection
to the reference time by extending their arms. The volunteers and the
other students should perceive that the second version is more cohesive
than the first. The two paragraphs invite direct comparisons with the
uses of the tenses. Kuehn offers another way to understand the Bull framework by using an analogy of three city streets, named Present, Past, and Future Avenues (Figure 3). |
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In this exercise,
ask students to imagine they are standing on Present Avenue looking
down the street at a specific building. From that view (reference point),
the building has a distinct took (present perfect). If they travel one
block over to Past Avenue and walk to the backside of the same building,
it looks different from that focal point (simple past), and so forth.
In this case, the events are situated on the present axis. Asking the students to rewrite the events starting with the fourth sentence as their reference point and applying the Bull framework will require them to change the first three sentences from the simple present to the present perfect while leaving the final sentence in the simple present, even though it occurs after (or in the future from) the point of reference.
This exercise highlights
the present perfect as the tenseaspect combination that marks anteriority
along the present axis and can help students resolve the confusion between
the present perfect and the simple past.
Although these texts still need editing, they demonstrate the cohesion of the tense-aspect system when organized along a time axis. |
| Conclusion |
| In
sum, the English verb tense-aspect system is not easy to learn. For one
thing, the tense-aspect system of one language does not neatly align itself
with another. For instance, unlike many other languages, there is no true
future tense in English. Prototypically, the modal will or the
phrasal modal be going to serve this purpose, but other modals
such as may, could, and might, not to mention the
simple present and present progressive, are also appropriated to fill
this gap among the formal markers of tense in English. For another thing, English verb tenses are often taught in a piecemeal fashion, and important opportunities to contrast them within an overall system are missed. It is important for students to see that each tense-aspect combination fits as part of an overall system. Finally, the point that we have emphasized in this article, English verb tenses have too often been taught at the level of individual sentences. This approach obscures the fact that the he tense-aspect combinations work together to contribute to the cohesion of discourse. It is crucial to understand that the long-term challenge that students face in choosing appropriate verb tenses has to do with learning when to use one tense versus another. This challenge can be partially addressed by helping students see that their orientation will determine their initial choice of tense-aspect and constrain their subsequent choices. Working With this insight gives us a way of assisting students to meet the challenge. |
| Note |
| 'The asterisk (*) is a linguistic convention that indicates ungrammaticality. |
| References |
|
Celce-Murcia, M.,
& Larsen-Freeman, D. (1999). The grammarbook: An ESL/ETL teacher's
course (2nd ed.). Boston: Heinle& Heinle. |
| Authors |
|
Diane Larsen-Freeman
has taught English applied linguistics at the School for International
Training (SIT), in the United States, for many years. She is currently
Distinguished Senior Faculty Fellow at SIT and professor of education
and director of the English Language Institute at the University of
Michigan. Tom Kuehn is a faculty member in the Intensive English Program at Portland State University (PSU), in the United States. His work with improving student understanding of the tense-aspect system through a multisensory approach began during graduate work at the, School for International Training and has continued in grammar courses at PSU. Mark Haccius has taught EFL at Lémania College, in Switzerland, for many years and has recently joined the faculty of the Ecole hôtelière de Lausannne He has developed a keen interest in the English tense-aspect system and the problems i tpresents for speakers of other languages and is currently completing his Independent Professional Project on this topic at the School for International Training, in the United States. |
| A. DETERMINER |
|
A grammatical
element whose main role is to co-occur with nouns to express such semantic
notions as quantity, number, possession, and definiteness; for example,
the, a, this, some, my, much. These words 'determine'
the way in which the noun is to be interpreted. In many languages, determiners
agree in gender, number, case with the nouns. ARTICLE: A type of word which specifies whether a noun is definite or indefinite, as illustrated by English the (definite) vs. a (indefinite). Articles are usually included within the class of determiners. DEMONSTRATIVE: A word whose basic role is to locate a referent in relation to a speaker, an addressee, or some other person referred to. English demonstrative specifies two distances: proximal this, these (physically and thence subjectively closer to the speaker) and distal that, those (physically or subjectively more remote from the speaker). Used with a noun the demonstrative is a determiner (e.g. this chair); used alone, it is a pronoun (e.g. I want this / this one). POSSESSIVE: A linguistic form which indicates possession. English includes 'possessive adjectives' such as my, your, his, her, its, our, their + noun, and 'possessive pronouns' such as mine, yours, his, hers, ours, theirs used alone. English also expresses possession through inflections as in John's (genitive case). QUANTIFYER:
A word or expression which gives a relative or indefinite indication
of quantity (e.g. many, few) distinguished as such from a numeral
which gives a precise and absolute indication of quantity (e.g. one,
two, three). Used with a noun it is a determiner (e.g. many
people, few cities, three books); used alone, it is a
pronoun. INTERROGATIVE: Words which mark interrogative constructions often sub-classified as 'interrogative adjectives' (e.g. which, what), adverbs (e.g. why, when, where, how), and pronouns (e.g. who, which one). Used with a noun the interrogative word is a determiner (e.g. which book?, What page?). |
| B. NOUN |
|
A word class, traditionally defined as the 'name of a person, place, or thing', and described linguistically in terms of a set of grammatical properties. These properties include the nounís ability to act as subject or object of a verb, and be analyzed in terms of gender, number, case, and countability. Nouns are generally sub-classified into common and proper types. COMMON/ PROPER NOUNS: A common noun refers to a class of objects or concepts, such as chair, cat, person, information. A proper noun refers to a unique person, place, animal, etc., such as Fred, Boston, Toto. The grammar of the two kinds of noun is different: in English, common nouns typically express a contrast between singular and plural, whereas proper nouns do not. We can say a chair and chairs, but not *a Fred and *Freds. GENDER: A grammatical category which displays such contrasts as masculine / feminine / neuter / or animate / inanimate. A distinction is drawn between 'natural gende', which involves reference to the sex of real-world entities, and 'grammatical gender', which is associated with arbitrary word classes. English distinguishes gender only in third person pronouns as in he / she / it / him / her /its / his / hers. There are three inherent genders in German: masculine (Mond 'moon', Name 'name', Tod 'death', Tag 'day'); feminine (Nacht 'night', Sonne 'sun', Stunde 'hour', Studie 'study'); neuter (Fräulein 'Miss', Kind 'child', Mal 'time', Meer 'ocean, sea'). There are two inherent genders in the romance languages: masculine (el libro, o livro, il libro, le livre 'the book'); feminine (la escuela, a escola, la scuola, l'école 'the school'). The distinction animate/ inanimate is found in older Indo-European languages. 'Animate' denotes entities that can act, or are perceived as acting, of their own will. NUMBER: A grammatical category used for the analysis of word classes, especially noun., It displays such contrasts as 'singular', 'dual', and 'plural' --that is, the contrasts of 'one' vs. 'two', vs. 'many' respectively. Pronouns and verbs also commonly display contrasts of number. COUNTABILITY: A contrast in the grammatical classification of nouns, in which nouns denoting separable entities ('countable') are distinguished from those denoting continuous entities, having no natural bounds ('noncountable'). English identifies count nouns by their co-occurrence with such forms as a, many, and the numbers. Noncount nouns co-occur with such forms as much and some: compare a table vs. some music. Many nouns can be used in both contexts: a cake, some cake. CASE: Inflectional
category, basically of nouns, which marks their role in relation to
other parts of the sentence. Case extends to determiners, adjectives,
and pronouns, Case endings are typical of the Indo-European languages.
Latin had the following cases: |
| C. ADJECTIVE |
|
An adjective is a type of word whose main function is to modify a noun, expressing a characteristic quality or attribute. In many languages, adjectives agree in gender, number and case with the nouns they modify. ATTRIBUTIVE ADJECTIVE: An adjective that occurs within the noun phrase as in a red car, a happy occasion. PREDICATIVE ADJECTIVE: An adjective that occurs after a verb as in It is red, he is happy. EPITHET: A word which characterizes a noun and is regularly associated with it as in the haunted house, the iron lady. |
| D. PRONOUN |
|
A pronoun is a word that can substitute for a single noun or a noun phrase. Several types of pronouns are distinguished in grammars. PERSONAL PRONOUNS : subject I / we you he, she, it / they; object me / us you him, her, it / them; reflexive myself / ourselves yourself/ yourselves himself, herself, itself / themselves; possessive mine / ours yours his, hers / theirs PRONOUNS WITH NO INDICATION OF PERSON: demonstrative this, that, these, those; interrogative who, what, which, where, why, when, how; indefinite someone, anyone, no one, somebody, anybody, nobody, something, anything, nothing, each one, all, some, any, none; relative who, whom, that, which, whose. |
| E. VERB CONJUGATION |
|
A conjugation is the inflection of verbs according to person, number, tense, aspect, and mood. Latin verbs and verbs of the romance languages typically display conjugations. For example, Spanish verbs have three conjugations: the ar verbs, the er verbs, and the ir verbs. The inflectional forms vary across the conjugations. STRONG/ WEAK VERBS : English verbs are classified as strong verbs or weak verbs. A strong verb is a verb which changes its root vowel when changing its tense, as in sing vs. sang. A weak verb is a verb where the past tense is formed by adding an inflection, as in kick vs. kicked. The distinction is important in the Germanic languages. The term ablaut is used to describe a change of vowel which causes a word to take on a different grammatical function |
| F. TENSES |
|
Tense is the grammatical expression of the time in a clause. Tenses fall into two categories: absolute tenses and relative tenses. The first involves the basic tripartite division of time into past, present, and future; the other expresses a contrast relative to some other time. ABSOLUTE
TENSES: Present tense: A tense form which typically refers to
a time of action contemporaneous with the time of the utterance. It
is widely used in descriptions of ongoing events (as in sports commentary),
accounts of mental states (I know, I remember). The present tense
is also used to convey states or habitual actions (He is sick, They
always say
We get up at six). It may convey a recent
past in newspaper headlines, Minister dies. Preterite:The
simple past tense form of a verb as in I saw or I jumped.
Future tense: A form of the verb which refers to future time.
English has no formal future tense. The modals will/ shall indicate
the future. RELATIVE TENSES: Present perfect: An event in the past is seen as having some present relevance. The example, Ive hurt my knee, implies that the knee is currently sore whereas in I hurt my knee the knee may be quite well again. The present perfect tense is made up of the auxiliary have followed by the Past Participle of the verb. Pluperfect or past perfect: An event in the past is seen as having some relevance on another past event as in I had finished (pluperfect) when they arrived (preterite). The pluperfect or past perfect tense is made up of the auxiliary had + the Past Participle of the verb. Future perfect: An event in the future is seen as having some relevance on another future event; as in, I will have eaten (future perfect) when they arrive. The future perfect tense is made up of the modal will/shall followed by have + the Past Participle of the verb. |
| G. ASPECT |
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Aspect is a grammatical category which marks the duration or type of temporal activity denoted by the verb. Many languages make great use of aspectual contrasts. PROGRESSIVE/ NON-PROGRESSIVE: In English, aspect shows a contrast of a durative kind. The progressive/non-progressive aspect contrasts in every tense: present I speak/ I am speaking; present perfect I have spoken/ I have been speaking; past (preterite) I spoke/ I was speaking; past perfect (pluperfect) I had spoken/ I had been speaking; future I will speak/ I will be speaking; future perfect I will have spoken/ I will have been speaking. |
| H. MOOD |
|
Mood is a grammatical category which indicates what the speaker is doing with a proposition in a particular discourse situation. Mood is also referred to as 'modality' or 'mode', especially when inflectional forms are not involved. MODAL AUXILIARIES: Verb-like words which typically express speakers' attitudes towards the factual content of an utterance, such as uncertainty (may, mightI), possibility (can, could), and necessity ( ought, should). INDICATIVE MOOD: A type of mood recognized in languages where the verb is inflected, used in the expression of statements and questions (e.g. It is raining, Are you going?). IMPERATIVE MOOD: A grammatical mood recognized in languages where the verb is inflected, used in the expression of commands (e.g. Look! Stay here! Don't go!). SUBJUNCTIVE MOOD: A grammatical feature typically found in verb forms, sentences, or clauses, occurring in subordinate clauses to express such attitudes as tentativeness, vagueness, uncertainty. In English the subjunctive is used only with certain constructions as in if he were going, formulae such as So be it, and clauses introduced by that , lest such as I insist that he leave, It was resolved that the school be closed, It's important that you all be there, Speak low lest you be overheard. Another grammatical category called 'optative' mood expresses a desire, hope, or wish. Optative expressions in English use the modal verbs or the subjunctive: May they go home safely, Heaven help us! CONDITIONAL MOOD: A clause or sentence which expresses a hypothesis or circumstance under which a statement may be valid. Conditional constructions are typically introduced by if and unless, as in If it were not raining we would go to the beach. The conditional is made up of the modals would/should/ followed by the infinitive or perfect forms of the verb (I would go, We should see it.; I would have done it, You should have seen it). PARTICIPLE: The participle is a word derived from a verb and used as an adjective, as in shining example and parked car. The name comes from the way such a word 'participates' in the characteristics of both verb and adjective. The participle forms are classified into two types: present, the -ing forms and past, the -ed forms. GERUND: A gerund is a noun derived from a verb (a 'verbal noun'), such as the two -ing forms in Seeing is believing. A gerundive is an adjective derived from a verb (a 'verbal adjective'), such as crumbling ruin. INFINITIVE: The nonfinite form of the verb which in many languages is cited as the verb's basic form (e.g. go, walk). In English, this form may be used alone (the 'bare' or 'zero' infinitive) or with the particle to (the 'to-infinitive'). Different verbs make use of these alternatives. Compare : The policeman saw the man leave and The policeman told the man to leave. |
| I. VOICE |
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ACTIVE VOICE: When the grammatical subject is the actor (John is building a house. John wrote a book. John had spoken to them). PASSIVE VOICE: When the grammatical subject is the goal or recipient of the action denoted by the verb (The house is being built by John. The book was written by John. The speech will be given by John). MIDDLE PASSIVE: The term middle passive is sometimes used for actions which seem to fall between the active and the passive, such as The door closed. The window broke. He broke his leg. He killed himself in a car accident. He was killed in a car accident. |
| J. AUXILIARY/ COPULA |
|
AUXILIARY: An auxiliary verb is a verb which is subordinate to the chief lexical verb, helping to express such grammatical distinctions as tense, mood, and aspect (They have eaten. They are reading. The poem was written by Mary). COPULA: A copula is a verb with little or no independent meaning, whose primary function is to link elements of clause structure, typically the subject and the complement, to show that they are semantically equivalent (They are happy. They are teachers.). |
| K. PREPOSITION |
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An item that typically precedes a noun phrase to form a single constituent of structure. Prepositional phases are often used as an adverbial (see adverb). SOME PREPOSITIONS:
in the garden, on my bike, behind the house, throughout Asia, on Saturday,
during the day, after dinner, with my friends, at a fast pace, of wood,
since the beginning, against their will, under oath, towards school,
to the right. Prepositions may also combine with a clause as in
by leaving the door open. |
| L. ADVERB |
|
A type
of word whose chief function is to specify the mode of action of a verb,
such as quickly in they walk quickly. However, several
other kinds of word have been grouped under the heading of adverbs.
Among these items are intensifying words, negative particles, and sentence
connectors. INTENSIFIERS: very, quite, too NEGATIVE: not SENTENCE CONNECTORS: however, moreover MANNER ADVERBIALS: quickly, immediately, necessarily, etc. TIME AND
SPACE ADVERBIALS: today, yesterday, tomorrow, now, right away, soon,
later, always, never, sometimes |
| M. CONJUNCTION |
|
A type of word whose chief function is to connect words or clauses. Conjunctions are traditionally classified into 'coordinating' conjunctions, which links units of equivalent status, and 'subordinating' conjunctions, which establish a hierarchy as in main/ dependent clauses. SOME CONJUNCTION:
and, or, either/ or, neither/ nor, but, so that, if, yet, if, because,
for, since, till, although, until, when, while, since, where, therefore,
furthermore, as...as, also, etc... |
| N. INTERJECTION |
|
Forms that
express states of mind and do not enter into specific syntactic
relations with other words. SOME INTERJECTION: Heavens! Dear me! Alas! Outch! Ugh! Wow! Yuk! Phew! |
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TESOL
Matters |
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| TESOL Matters is pleased to introduce this new column, by longtime TESOL member Richard Firsten. Richard, an ESOL teacher and teacher trainer for 29 years, is the author of several books on grammar, including The ELT Grammar Book: A Teacher-Friendly Reference Guide (Alta Book Center). He is currently teaching ESOL at Lindsey Hopkins Technical Education Center, in Miami, Florida, in the United States. | |
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Dear
Richard, |
Dear Cheryl, |
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Dear
Richard, |
Dear Alan, |
TESOL
Matters
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Dear
Richard, |
Dear
Iris, Native speakers tend to throw in the particle over after verbs of movement to communicate proximity. In other words, the speaker was saying that the supermarket wasn't that far away. It's very common to hear over used with verbs such as come, go, walk, run, drive, and fly. To test this out, you wouldn't accept it as correct if a person in New York said he was planning to drive over to Chicago, would you? |
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Dear
Richard, |
Dear Exasperated, |
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Dear
Richard,
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Dear
Lynn, This very topic is covered in Chapter 4 of The ELT Grammar Book: A Teacher-Friendly Reference Guide, from Alta Book Center Publishers. To answer your question in a nutshell, it all boils down to this: While is normally associated with verbs of relatively long duration. That's why you can say, While I was living in Washington but you can't say, "While she slipped and fell on the ice, she hurt her leg." (Note that slip and fall are of short duration.) When is much more loosely rule-governed than while, so native English speakers don't consider it a cardinal sin to use when in place of while with verbs of longer duration (When/ While I was growing up, my parents both worked). To sum up, when can normally take the place of while, but while can't always take the place of when. |
|
Now
let's get to the answer for the "Brain Teaser" from our last
issue. The question was: |
|
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And now
here's the "Brain Teaser" for this issue. If you know the
answer, please e-mail or snail-mail it to me. If your answer arrives
first and is correct, it will appear along with your name in TESOL Matters!
The deadline for submission is July 15, 2002. My e-mail address is GrammSpeaking@aol.com.
My snail mail address is c/o Lindsey Hopkins Technical Educational Center,
750 NW 20th Street, Miami, FL 33127 USA. Please send in any and all questions you have about grammar. I'd love to hear from you! |
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TESOL
Matters
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Hi,
Richard,
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Hey, Roger, Of course it's weird, but then again, every language has its oddities. There's something very elegant, however, about how languages deal with situations like this one. We're comfortable with inverting the subject + be and either adding or deleting the negative to make one kind of tag question (e.g., you are, aren't you? / she is, isn't she?), but although English accepts the affirmative tag question (I'm not--am I?), it has never accepted the negative tag question (I am--amn't I?). We just don't accept a negative contraction with am. Well, just as nature abhors a vacuum, language hates this kind of gap, so something is forced to take its place. Arbitrarily the speakers of English decided at some point that aren't would fit the bill, so even though it doesn't seem logical, that's the negative contracted form we use for this kind of tag question. Now what about the uncontracted tag question, . . . am I not? That's perfectly okay, except for the fact that it tends to sound sarcastic or downright nasty, and is therefore avoided unless this extra meaning is what's intended. And that, Roger, is how we end up with ... aren't I? |
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Dear
Mr. Firsten,
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Dear
Ms. Haven, |
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Dear
Richard, |
Dear
Jedd, I'm here to help you out! When the verb keep means "continue," its object is always an action that doesn't require a noun or pronoun before it. In this case, the object of keep is used in the -ing form (I keep eating ... ). There's also the option of using on together with keep, which would always force the use of a verb + -ing after the preposition (l keep on eating ... ). Some other verbs that work like keep are avoid, consider, can't help, delay, deny, enjoy, and finish. This should stop you from scratching your head, Jedd. |
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Dear
Richard, |
Dear
Chunfang, One of the most marvelous attributes of language is its ability to generate new words to meet the demands of an ever-changing world. Isn't it amazing that not too many years ago, no one would have understood what you're talking about? Although mail is a singular, noncount noun, English speakers have decided to make email (or is it E-mail or e-mail?) a countable noun in the singular or plural, probably because constantly writing or saying e-mail message or e-mail letter is very cumbersome. So, thank you for this email, Chunfang, and I hope to get other emails from you! |
|
Dear
Richard, |
Dear
Vladimir, Here's what I think you're communicating in the first sentence you asked about: There have been fewer and fewer customers in the shop since it opened. Because you're using since, you need the present perfect; that's why there have been is required. If your idea is that the number of customers has been going down since this shop opened its doors, you should use the phrase fewer and fewer to communicate this idea for countable nouns and less and less for noncount nouns (e.g., less and less business). By the way, we normally say a shop or store opens and closes, not starts and ends. In the second sentence you asked about, it should be There are a lot of questions that I cannot answer. The phrase a lot of equals many in this case, so we need to use are for the plural. And please remember that you need to use of with the phrase (a lot of) if you follow the phrase with a noun. |
|
Richard, |
Hi,
Bill. In your sentence, Harold is painting the white house green, green is called an adjective complement (of the direct object). Other examples are: She bought the fish fresh. / He takes his coffee black. / They found the movie boring. There are two kinds of complements, adjective complements and noun complements. (She called me a liar. / They elected her president. He thinks me a fool.) In my book, The ELT Grammar Book: A Teacher-Friendly Reference Guide, I devote a whole chapter to what I call "direct object companions," which include these two direct object complement forms plus five other parts of speech that fit into this pattern. I hope that answers your question, Bill. Thanks for sending it in! |
|
And
now, here's a very thorough reply to the previous Brain Teaser: |
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And
here's the next Brain Teaser: |
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TESOL
Matters |
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Dear
Richard, |
What
has to happen before it grows?
(generally) Dear Meg, |
|
Hello
Mr. Firsten, Dear
Ms. Harlow, |
Disregarding the fact that it's quite an awkward sentence, what we need to understand is why it's all right to delete that and which and the auxiliary were. The first rule to address is that when that and which (and who for that matter) refer to the direct object of the sentence, they can be deleted and usually are in everyday speech. Here are other examples (the symbol ^ represents where the missing word or words would go): "The boss is interviewing the young woman ^ I recommended for the job." "She's changed the plans ^ she made for the holiday party." In case you're not quite sure about these direct objects, let's break the two sentences down into smaller components. Then you'll see how young woman and the plansare the direct objects: The boss is interviewing the young woman. I recommended her for the job. She's changed the plans. She made them for the holiday party. The second rule-and it's a pip--is that, if the dependent clause refers to the direct object of the independent clause and uses a passive voice construction, if you decide to drop that, which, or who, then you must also drop the auxiliary; hence we can't use were in your example. Let's see if this rule works for the two examples I've just given: "The boss is interviewing the young woman ^ recommended [by me] for the job." "She's changed the plans ^ made [by her] for the holiday party." What may have mystified and misled you and your colleagues is that the example you came up with is a very awkward, compounded sentence. To sum up, if I elect to keep who in my first example, I need to keep the auxiliary for the passive voice (i.e., the young woman who was recommended), but if I elect to drop who, I also need to drop the auxiliary (i.e., the young woman recommended) as long as the verb in the dependent clause is in the passive voice. Thanks for such a meaty question, Ms. Harlow! |
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Dear
Richard, |
Dear
Josh, I can appreciate how frustrated you must feel! Well, here's what's going on. The verb test belongs to a very small class of verbs that some linguists call pseudo-passives. What's strange about those verbs is that they're in the active voice, yet their subjects aren't doing those actions. Of course your student didn't test anybody; the school tested him. Another typical example of test in this usage is She didn't test positive for drugs. Pseudo-passives are a strange phenomenon of the English language. Some other verbs that act in the same way are peel (e.g., Bananas peel easily), measure (e.g., The room measures 12 feet by 16 feet), weigh (e.g., The turkey weighed 18 pounds), and sell (e.g., That house sold for $140,000). There aren't many verbs that behave like this, so don't fret too much over them. My advice would be to mention them to your students with some good examples only if the students are advanced enough to understand what you're saying. I hope this takes away some stress, Josh. Thanks for the question! |
| And
here's the answer to the Brain Teaser from our last issue. It was sent
in by Wendy Wurtheimer of Calgary, British Columbia, Canada. The question
was, "What's the difference between see and look at,
and what's the difference between look at and watch?" Wendy wrote, "See simply means what your eyes do when you open them. It's an involuntary action. Look at, on the other hand, is a voluntary action and it means you're paying visual attention to something." The difference between look at and watch is that you look at something that's not moving; your attention is on the object rather than on any action. We use watch when the object is doing something and our focus is on the activity, not necessarily the object itself. If I say to you, "Look at me," I want your eyes focused on me (my face or my whole body), but if I say, "Watch me," I want you to observe what I'm doing. One exception I can mention is that we can say "see a movie" or "see a play" when what we really mean is "watch a movie" or "watch a play". Fantastic explanation, Wendy! You 've got it exactly! |
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| And
here's the next Brain Teaser: How would you explain the difference between
these two questions, that is, if there is one? "Isn't Mr. Spock a character on Star Trek?" "Isn't Mr. Spock a character in Star Treck"? I'll be looking for your answers. If you know the answer, please email me at GrammSpeak ing @ aol.com. Or by postal mail by Jnuary 6, 2003. If your answer arrives first and is correct it will appear along with your name in TESOL Matters! Thanks, everybody, for the wonderful questions you sent in. Please keep sending in any and all questions you have about grammar. I'd love to hear from you! |
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TESOL
Matters |
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Hello
Richard, |
Dear
Julie, Interesting question. The problem you're having is that fun is not an adjective; it's a noun, so the rule on comparative or superlative adjectives doesn't apply at all. That's why it's okay to say more fun or the most fun because we use more and the most with nouns. You simply can't say funner or the funnest. Instead of saying "that was the funnest party I've ever been to," you should say "that party was the most fun I've ever had," or some such utterance. You might want to use adjectives such as enjoyable, amusing, or entertaining to describe the party if you really want to use an adjective. That's the answer to your question, Julie. Thanks very much for sending it in. |
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Dear
Richard, |
Dear
Frank, I've had many a student make the same kind of mistake, and I'm sure most TM readers have, too. The problem lies in the difference between the two kinds of verbal adjectives (adjectives derived from verbs): the present participle, or -ing, adjective and the past participle, or -ed, adjective. The present participle adjective is used to describe the person or thing that creates the feeling in the subject or describes what the subject is doing. Some examples are an annoying habit, an entertaining show, a puzzling explanation, a bleaching agent. The past participle adjective is used to describe the person or thing receiving the feeling or the action. Some examples are his jangled nerves, all interested parties, her puzzled look, those bleached clothes. So the reason your student should have said, "I am bored" is that he was receiving the feeling, not creating it; the boring job did that! That should do it, Frank. Has my explanation been enlightening? Are you feeling enlightened? (A little humor there!) Thanks very much for sending in this question, Frank. |
|
And here's the answer to the Brain Teaser from
our last issue. It was sent in by M. K. Bunting, of Elkridge Elementary
School in Elkridge, Maryland. The question was: How would you explain the difference between these two questions, that is, if there is one? Isn't Mr. Spock a character on Star Trek? Isn't Mr. Spock a character in Star Trek? M. K. wrote, "Of course there is a difference. Mr. Spock was younger when he was on the TV show Star Trek, and he was older when he was in the movie Star Trek. It's all idiomatic. One can be on a TV show, but not on a movie, and one can be in a movie, but not in a TV show. One had to be there, I suppose." Very nicely done, M. K! I couldn't have explained it better! |
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| And
here's the next Brain Teaser: Is it okay to say I love fresh baked bread and You can rest easy now? If it is, please explain. If it isn't please explain. I'll be looking for your answers! If you know the answer, please send it to me by e-mail at grammspeaking@ aol com. or by postal mail by April 14. If your answer arrives first and is correct, it will appear along with your name in TESOL Matters! Thanks, everybody, for the wonderful questions you sent. Please keep sending any and all questions you have about grammar. I'd, love to hear from you! |
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TESOL
Matters |
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Dear
Richard, |
Before
I will accept this check, I need verification of your identity. Dear
Betty, |
| Dear
Richard, Why do we say It is approximately 7:00? According to my grammar book, Practical English Usage by Michael Swan, 7:00 is a noun. Shouldn't it be modified by an adjective, as in It is approximate 7:00? My student just asked me this question, and I was left speechless. I am eager to learn! Lynn Stafford-Yilmaz Bellevue, WA USA |
Dear
Lynn, To understand why we need to use the adverb approximately and not the adjective approximate requires delving into the deep structure to see where 7:00 comes from. The shortened phrase 7 o'clock derives from an archaic phrase with the original form the 7th hour of the clock (a noun phrase with an appositive genitive). The question is, can an adjective go before a noun phrase? (Do not confuse a noun, clock, with a noun phase, a/the clock.) The answer is no, we cannot say approximate the 7th hour of the clock or approximate 7 o'clock. We need to use adverbs such as approximately, nearly, or almost to do that job. I can certainly understand why you were speechless when this was thrown at you, Lynn! But now you can go back and explain it--through examples and comparison rather than the way I explained it to you. |
| Dear
Richard, 1. In It's nice seeing you, what is the definition of the function of the gerund seeing? (I assume it is a gerund?) 2. Why do we say It's a dream come true? Come here is a subjunctive, isn't it? Michele Gaetz Palmdale, CA USA |
Dear
Michele, Thanks very much for sending in these two neat questions. 1. You are right, Michele, come is a gerund. In fact, it is a gerund noun phrase, which represents the name of that action (seeing you). In the sentence you gave me, this gerund noun phrase is the subject with the redundant use of it as the "dummy subject, also known as "anticipatory it": A: It's nice. B: What's nice? A: Seeing you is nice. It's nice seeing you. A gerund noun phrase can also act as a direct object: I like seeing you in that business suit. It's very smart. 2. No, come is not a subjunctive, Michele. It is actually the past participle of a reduced phrase in which the relative pronoun and auxiliary of the present perfect have been eliminated: It's a dream (that has) come true. Here is another example with a reduced passive voice in the simple present: He's a man held in high esteem (with who is eliminated). I hope these answers help. |
| Dear
Richard, It is odd how you can look at something a hundred times and not really think about it, and then suddenly you see it in a slightly different way and start wondering about it. The other day, I saw a sign on somebody's desk: "Thank You for Not Smoking." All of a sudden I began to think about why smoking had the -ing on it. Why don't we say, "Thank You for Not Smoke" or "Thank You for Don't Smoke"? I'm at a loss, and I know saying "It just doesn't sound right" won't cut it. Cynthia Cray Little Rock, AR USA |
Great
question, Cynthia! There is a simple rule of English grammar with no exceptions: When a verb follows a preposition, we must put -ing on the verb. You thank somebody for something, so, for example, you can thank somebody for helping. When you add -ing to a verb, you have created a gerund, and we use not in front of gerunds to make them negative: not helping. That is how we end up with "Thank You for Not Smoking." We have gone through two steps: First, we have added -ing to the verb smoke because it comes after the preposition for. Second, we have used not in front of the gerund to create the negative. That should clarify things, Cynthia. Thanks so much for asking that important question! |
| Dear
Richard, I have my own puzzle of the year, if you would care to comment on it. I was teaching a lesson on subject-verb agreement, and was going on about how the object of a preposition sometimes gets in between the subject and verb but the verb never agrees with the object of the preposition. Some examples: A pile of papers is (not are) on the desk. A list of numbers was (not were) written. A box of cookies contains a lot of calories. And then there was this one: A number of students were waiting in the hall. I started to say that it should read A number of students was waiting in the hall, but my native speaker intuition informed me that that was clearly wrong. But I had no explanation for why. Was the verb agreeing with of students? Or is a number actually plural? A helpful student (grrr) pointed out that A lot of students are in the hall--not |
A
lot of students is in the hall-- also correct. So evidently a
number and a lot not only have a plural meaning but behave
in plural ways even while looking quite singular. Dear
Evelyn, |
| Here's
the Brain Teaser from our last issue: Is it okay to say I love fresh baked bread and You can rest easy now? If it is, please explain. If it isn't, please explain. I'd like to thank everybody who sent in replies to the Brain Teaser, but I'm sorry to say that nobody had the correct answers to this two part question. So without further ado, here are the answers. It's not okay to say fresh baked bread; we should say freshly baked bread. The reason is that we have a little rule in English that says when one adjective (fresh) describes or modifies another adjective (baked, a past participle adjective), it becomes an adverb. That's why fresh turns into freshly. Other examples are I'm relatively happy and She's amazingly strong. The answer for You can rest easy now is that it's indeed okay to say this. The reason is really quite interesting. There's a group of verbs that don't necessarily take adverbs in answer to the question "How?" They use adjective complements instead. For example, How does my spaghetti sauce smell? It smells delicious. (You wouldn't say deliciously, would you?) How do I look? You look great! (You wouldn't say greatly, right?) Other verbs in this category are stay (Please stay alert) and remain (Everyone should remain calm). In this case, rest works the same way, so easy is its adjective complement, and that's why it's fine to say You can rest easy now, In fact, if we change easy to easily, it's really quite strange. Easy doesn't mean, the opposite of difficult in this sentence it really means at ease or tranquil. |
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TESOL
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Dear
Richard, Dear Susan, |
First, let's discuss the verb enter, which is a tricky little word. When enter means go into in its literal sense, we don't need a preposition following it because the prepositional idea is already part of the meaning of the verb; in other words, to enter means to go into. It's redundant to say He entered into the room, and saying He entered to the room really doesn't make much sense when you realize what to means. However, when we use enter in a figurative way, into is indeed needed: They entered into the contract without any hesitation. As for your other example, help to someone, this is a different matter. We can view English as having three categories of verbs: simple verbs (e.g., help), phrasal verbs (e.g., help out, stand up for), and verbs with allied prepositions (e.g., depend on). Even though the second and third categories contain prepositions, the noun that follows will still be the direct object (He helped out his friend. / We should be able to depend on our friends in times of need.) Tell your students that they need to know which of the three categories a verb is in, and that they should not add a preposition unless they've checked out that one is used with that verb either to make a phrasal verb or because it's a verb with an allied preposition. Help, being a simple verb, doesn't use a preposition before its direct object (e.g., He helped his friend). It's curious how help and help out both exist and mean basically the same thing! But what about a sentence like Can you help with the decorations? In this sentence, the decorations is not the direct object. The direct object is implied, but not stated. It could be me, him, her, us, or them (e.g., Could you help them with the decorations?). I hope that helps, Susan! |
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Dear
Richard, |
Dear Susan, Tense sequencing can be complicated. One thing to keep in mind is that we shouldn't focus on noun clauses or adjective (relative) clauses or any clauses for that matter. What we need to focus on is whether or not the two events happened at more or less the same time or different times. If we want to adhere strictly to the rules of sequencing, then your student is right; we should say, "He read The Old Man and the Sea, which had been written by Ernest Hemingway." The reason this undoubtedly sounds strange to many English speakers is that we tend not to use the past perfect in conversational English when there is no confusion about the chronology, the sequence of events. It's obvious to all that the book had to be written before the person could read it; therefore, we're quite content with using the simple past and saying, "which was written..." or even with the reduced form, using just the past participle "written." Another case in point is with the verb phrase be born. Even though it's technically correct to say, "He told me he had been born in Calcutta," I doubt you'd find many English speakers who would opt for that sentence instead of "He told me he was born in Calcutta." The sequence of these two events is certainly obvious to all! Because the less technically correct sentences are so much more commonly used, the more technically correct ones seem odd or even incorrect! |
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Dear
Richard, |
Dear
Bill, Thanks for sending in what seems like a mind-boggler, even though it really isn't. Over the years I've learned a very important rule about teaching ESOL: There is elegance in simplicity. This holds true especially when explaining a point of grammar to an ESOL student. Here's how I would explain your sentence: Which can mean this or that, and it can be used to replace a whole idea that's been previously said. For example, I can break the sentence you're critiquing into two smaller sentences: The chief cook hasn't changed since the restaurant opened. That's why the quality of the food has remained consistently good. That refers to the whole previous sentence. If we want to create one long sentence, we need to use which in place of that, but which does the same thing that that does: The chief cook hasn't changed since the restaurant opened, which is why the quality of the food has remained consistently good. We don't need to focus on what kind of clause is being replaced; that's irrelevant. We only need to focus on the fact that which stands for the whole previous idea. If you show the student that which means the same thing as that (the first word of my second smaller sentence), it should demystify the whole thing. |
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In closing, I'd like to say that I've had a marvelous run in TESOL Matters and hope that you've enjoyed reading my column in print. Grammatically Speaking will become an online column in December 2003 as it becomes part of Compleat Links, the Web based component of TESOL's new magazine, Essential Teacher. Check the Essential Teacher Web pages for a direct link. |
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